Lili
Award

Our awards for Best Feature, Best Documentary and Best Short Film are named after Danish transgender artist Lili Elbe, who was among the first people in recorded Western trans* history to undergo gender-affirming surgery in 1930. The Lili Award is granted to remarkable films in their category that challenge existing norms of sexuality and gender. These films are nominated by MIX's programmers and selected by our international jury panel.

Jury

 

Darunee Terdtoonta veedej

Darunee Terdtoontaveedej, curator and programmer, highlights alternative (his)stories, creative practices, and cinema. She co-founded Non Native Native, exploring Asian creativity in the Netherlands through the lens of outsiders from within. She programmed at CinemAsia, IFFR, Sinema Transtopia, Objectifs, SGIFF, and served as a jury member at Teddy Award at the Berlinale.

Jemma Desai

Jemma Desai, a London based writer and educator, explores film through research, writing, and performance. She has worked with the BFI and BC, was a co-chair of LUX, Head of Programming at Berwick FMAF 2021 and is on the Blackstar FF programming committee.

Natasha Thembiso Ruwona

Natasha Thembiso Ruwona is an artist, researcher, and curator-programmer-producer based between Scotland and London. Recent projects include working with ID.Y CIC, Fringe of Colour Films, BUZZCUT Festival, and Rhubaba Gallery & Studios. Her film programming and writing focuses on short films, moving-image and documentaries.

 

Max Disgrace

Max Disgrace is a writer-director and trans man of Chinese descent. Maxโ€™s work focuses on queer desire and sexual intimacies, and inhabits realms of mischievousness, playfulness, resistance, sensuality, leather and pleasure. โ€œDismantle Meโ€ is associate produced by Lilly Wachowski and a collaboration with filmmaker directory: Trans+ On Screen.

Banafshe Hourmazdi

With a strong academic background in acting and acclaimed roles in theater, TV, and notably the film โ€œFutur Dreiโ€, which received numerous international awards, Banafshe Hourmazdiโ€™s work in the industry continues to showcase her growth and multifaceted talent.

 
 

Nominees:
Best Feature

๐Ÿ† A Place Of Our Own ๐Ÿ†

Opponent

Power Alley

The Lost Boys

Nominees:
Best Documentary

100 Ways To Cross The Border

Lotus Sports Club

Orlando, My Political Biography

๐Ÿ† Who I Am Not ๐Ÿ†

Nominees:
Best Short Film

Chavo

๐Ÿ† Dipped In Black ๐Ÿ†

Neo Nahda

The Shift


Jury's statement on the winners:

๐Ÿ† A Place of Our Own ๐Ÿ†

โ€œWe were impressed by the complexity of this film which hinges on a seemingly simple plot of two trans womenโ€™s search for a home. Starting from a place of housing injustice the filmโ€™s narrative expands into a sequence of events of structural violence towards them, which they navigate through resilience and struggle as well as grace, acerbic dismissal and razor sharp wit. Embodying queer collectivity and community making in the collective nature of its filmmaking, and drawing attention to trans womenโ€™s voices in the global south this felt like  anti colonial queer world making which we gestures to pathways for new ways of making home and making films for us all.โ€

๐Ÿ† Who I Am Not ๐Ÿ†

โ€œWe were struck by the layers of this film which moves beyond the pure observation of the personal stories of its protagonists. Building a relationship with Sharon-Rose Khumalo and Dimakatso Sebidi over the course of the film, we observed how the filmmaking process centred the agency of their representation, whilst also deftly taking in the role of how policing of bodily norms affects our intimate networks, community and media, social norms and historical forces and has the power to make and unmake the differences and connections between us all.โ€

๐Ÿ† Dipped In Black ๐Ÿ†

โ€œWe were drawn to this centring of queer aboriginal voices that conjoins its communitiesโ€™ connections to land, spirit, mystery and soul in its aesthetic choices. Both courageous and joyful, this is a film that serves as a reminder  of how the possibilities of aboriginal queer life have been bordered and limited by the colonial imaginary and can be expanded by a queer one. The film is particularly urgent in the current context following the referendum last week, which rejected the recognition of aboriginal voices in Australian policy making.โ€